Among their top-tier covers alongside classics such as “Running Up That Hill” and “I’m on Fire” is “Into the Black,” their take on the Neil Young and Crazy Horse song that Kurt Cobain immortalized in his suicide note. “Moon River” was composed by Henry Mancini, and it won an Oscar for Audrey Hepburn’s famous performance of the track in the film. With some lovely backing “ooohs” from frontwoman Julia Cumming, this isn’t a cover that is looking to reinvent its source material, but simply to give it a low-key interpretation that pays deference to a master songwriter in Young. —Tyler Kane, Deep in their album cycle for AM, Alex Turner & co. brought lounge chic to Drake’s “Hold On, We’re Going Home,” then the biggest song in the world, completely unmissable if you were within distance of a car radio or a bar playlist. It’s the perfect sad song for fall and a wonderfully moody take on one of Swift’s best-ever tunes. “Let Her Go” – Jasmine Thompson 72. You can catch glimpses of the surrounding Sydney Harbour as the two sing beautifully, both in unison and apart. While the indie world produced fewer massive stars in the 2010s than in the previous decade, the recorded output was as strong as ever. “Hold On, We’re Going Home” by Arctic Monkeys (Drake), 25. Arguably one of the greatest torch songs of the 2010s, "Wrecking Ball" spectacularly captured the self-destructive agony and vulnerability of a catastrophic relationship — … —Wyndham Wyeth, “Powerful Man” is a folk ballad off (Sandy) Alex G’s 2017 album Rocket. Chromatics replace Young’s proto-grunge squall and atonal tenor with crystalline guitars and Ruth Radelet’s silken, dejected voice, but they don’t stop there—to really drive home the original’s desolation, they add reverberant quarter-note pianos too. Gentle Gwen (Trad. Cobain himself probably would have approved of such artistic liberty. It’s almost a country song, with the swirling fiddles and rolling acoustics, but Bridgers’ version is closer to dream-pop, the strings replaced by electronic swells and twinkling effects. The story of country music in the 2010s is largely the arc of bro country, which rose and faded within the confines of the decade. Runnin’ with the Devil (Van Halen cover) White’s searing solos explode through your speakers, making us all the more antsy for him to get out from behind the kit. Join http://www.WatchMojo.com as we count down our picks for the Top 10 Dance Songs of the 2010s. Beautiful little vocal flourishes are also thrown in by bassist Bridget Kearney and drummer Mike Calabrese, while the more stoic Mike “McDuck” Olson lays on some lovely supporting trumpet. In a year that saw more than its fair share of changes, no one captured all that anguish quite like Bradley, who speaks for us all near the end of “Changes” when he howls, “It hurts so bad … ” Despite the stupefying power of its raw emotion, this song—Charles Bradley’s song—is a reminder that pain is a part of being human. I came across it by using Bing and I must confess that I am currently subscribed to the website, it is quite decent (; Georg Bee! Lake Street Dive: “I Want You Back” (Jackson 5), 19. (Note that some songs charted in more than one year-end list.) There’s an art to pulling off a good cover song. Sure, Weird Al builds every one of his polkas the same way, but if it ain’t broke… He composed the latest offering for his next album, but debuted it live this summer. Sunflower Bean: “Harvest Moon” (Neil Young), 21. Ain’t No Cure for Love (Leonard Cohen cover) Ben Gibbard, lead singer of Death Cab, remained close with Hutchison following the tour. It goes through fourteen songs in under five minutes, transforming hits by Lady Gaga, Owl City, and Taio Cruz into a sound that would have brought your great-grandparents to the dance floor. Rifkin sounds like he might smash against the rocks at any moment. The 30 Best Cover Songs of the 2010s 1. Maria McAteer The Delfields cover) Here’s a list of the best pop songs from each year, based solely on Billboard’s year-end Hot 100 charts. Nothing can ever beat the old-school classics, but the 2010s was a time when the music industry experimented with new genres while refining old ones that have been neglected over time. The rendition must succeed while resembling the original—to a reasonable degree—and also incorporating new elements that make it different. On Sturgill Simpson’s sophomore record Metamodern Sounds in Country Music, he dutifully reimagined When in Rome’s 1988 hit “The Promise,” softening its synth-sharp edges with a balladeers perspective on bumbling romantic miscues. 43. Kelly’s version, a song from his EP of emo and emo-adjacent covers, Dirt Emo, is even sadder and even more autumn-y than Swift’s original. Well, excuse me for including such an ominous track on 2010's best rap songs list. Charles Bradley: “Changes” (Black Sabbath). Turns out a Jersey quintet with a few synthesizers can be just as powerful. Maybe it won’t make you dig out your old Crow CDs, but it’s a fine slice of work from a decade that Haim was a product of. The Vatican Cellars earn double points for being the only group on the list to show up on both this year’s list and last year’s, where they delivered Springsteen’s “Darkness on the Edge of Town.” Cello leads this latest folksy duet, which brings to mind Robert Johnson’s idea of the devil more than David Lee Roth’s. Naturally Baker would cover her predecessor. Listen to our Best Cover Songs of the 2010s playlist on Spotify right here. 46. “Closer (ft. Halsey)” – The Chainsmokers 74. 2 shows how much emotional heft a man with an acoustic guitar can wield. Sublime’s iconic 1996 hit features a sample from the 1934 George Gershwin classic “Summertime.” Del Rey’s cover is featured in Sublime, a recent documentary about the ska-punk rockers. He puts on a clinic vocally speaking, showing off an impeccable falsetto and even filling in the track’s closing guitar riff with a whistle solo. A competent artist gives the song new life while still respecting the original recording. 45. Their updated takes on traditional songs like “Gentle Gwen” and “Tramps and Hawkers” turn songs you’ve never heard into indie-rock sing-alongs. A track with so much baked-in longing and nostalgia that even the opening guitar reverberations can make tears start to roll is a high mountain for any artist to climb. No one could top that singing, so Ruth Dolores Weiss goes the other way. Pink and Nate Ruess - 'Just Give Me a Reason' Pink collaborated with Fun lead singer Nate Ruess for this love song duet about the hopes of holding on to a relationship even when it looks as if it is coming to an end. For all the chatter about formulaic truck songs … List of songs on Billboard 's 2010 Year-End Hot 100 chart; No. 30 Best Indie Albums Of The 2010s, Ranked Music —Justin Kamp. The documentary premiered at the Tribeca Film Festival in April and received mixed reviews from critics. Novelty covers of this one abound. Like a pop song seen through a funhouse mirror, “The End of the World” distorts normalcy to unnerving effect. “Mercy (ft. Big Sean, Pusha T, & 2 Chainz)” – Kanye West 80. The performance was shot at b.b gun leather, a garage workshop in a residential neighborhood—one might say a suburb—of East Vancouver. By slowing the song to a crawl, Lorde revealed the slow-churning bummer that existed under the synth-washed ’80s production. —Scott Russell, The Cranberries seem like one of those artists that shouldn’t be covered. —Lizzie Manno, Haim has had enough comparisons to late ‘80s/early ‘90s pop artists for us to have seen this one coming, but that doesn’t make it any less awesome. The session is just one of a slew of covers Bridgers released in 2018. Like “Mad World” before it, Lorde took “Everybody Wants to Rule the World” by Tears for Fears for the second Hunger Games installment. In 1995, Aaron Neville delivered the definitive vocal performance of Leonard Cohen’s most lovesick ballad. —Emma Korstanje, Cayetana make the kind of chirpy, energized indie rock you’ll want to dance to or run to. Cooper and Gaga's chemistry in the film and on the song was incredible, and it later won an Oscar for Best Original Song. —Paste Staff, On her last album, Aretha Franklin Sings The Great Diva Classics, Aretha Franklin does just that—cover songs from some of the loudest, sassiest divas in history. The Microphones’ album The Glow Pt. —Ellen Johnson, Last December, Phoebe Bridgers shared her Spotify Singles session, which included a cover of The Cure’s “Friday I’m In Love,” along with a re-recording of “Scott Street” off her latest album, 2017’s Stranger in the Alps. Ruston Kelly: “All Too Well” (Taylor Swift), 18. The 200 Best Songs of the 2010s Avicii: “Levels” (2011) Stormzy: “Big for Your Boots” (2017) dvsn: “The Line” (2016) Icona Pop: “I Love It” [ft. Charli XCX] (2012) John Maus: “Believer” (2011) Cloud Nothings: “I’m Not Part of Me” (2014) Lil B: “Wonton Soup” (2010) Nilüfer Yanya: “Baby Luv” … The cover is a tribute to Frightened Rabbit lead singer Scott Hutchison, who died in May of last year. I’m With Her’s bluegrass instruments and three-part harmonies don’t just freshen the tune—they transform it into something new entirely. While it’s unclear how Hope Sandoval felt about Mascis’ “Fade Into You,” a cover that doesn’t necessarily one-up Mazzy Star’s original but definitely adds a completely different flavor to it, it wouldn’t be a stretch to say she was pleased by it. The Secret Sisters Had they been released earlier, they would have been included here. It’s hard not to hear the lyrics and think of her past relationships, or to marvel at the fact that—holy crap!—Rihanna is covering a Tame Impala song. In a similar way, Rihanna’s ANTI was also quite a change for her. Find out now! It’s that good. Arctic Monkeys don’t change much of the original song structure, but it’s quite remarkable to see one of the biggest rock bands in the world covering its most famous pop star. —Justin Kamp, Sophie Allison, the singer-songwriter also known as Soccer Mommy, released a seven-inch single via Fat Possum last fall. Cayetana: “Age Of Consent” (New Order), 2. 49. —Ellen Johnson, Undoubtedly the highlight on the Tiny Changes Frightened Rabbit tribute album—a record that was almost finished before lead singer Scott Hutchison’s tragic death and one that took on a completely different meaning by the time of its release about a year later—Julien Baker slows down the Midnight Organ Fight album opener, turning the upbeat rock song into something much more her own. —Ryan J. Prado, In their 2015 album Currents, Tame Impala ended this third album with “New Person, Same Old Mistakes,” a bold, hazy change from the rest of the trippy album. It’s as if Ezra Koenig wrote the song six years ago in the hopes that it would someday be covered by three women at a hootenanny. 42. Adding the line “to love someone” following the lilting Cobain refrain of “knows not what it means” is a stroke of resolve in the face of the apathetic “meh” of the original, turning a classic touchstone of ‘90s grunge into something altogether cheerier. One of their most listened-to songs, though, isn’t even their own: Cayetana’s cover of New Order’s 1983 classic “Age of Consent” is their most-streamed song on Spotify, and—though we know this will sound blasphemous—their version rivals the original. Ruth Dolores Weiss “Same Ol’ Mistakes” was such a welcome surprise from Rihanna that shows the depth and range of her tastes and influences. Johnny Cash Top 10 Greatest Songs List of #1 Country Singles for 2010 The list on this page is for all #1 hit Country singles for 2010 using proprietary methods. You may use these HTML tags and attributes:
, Psychedelic Porn Crumpets Reinvent the Jungle Book’s “I Wanna Be Like You”, The Best Cover and Tribute Albums of 2020, Good, Better, Best: “Angel Baby” (Rosie and the Originals), Order of Operations, ‘Love Me Til My Heart Stops’, Sarah King Turns “War Pigs” into a Folk Protest Song, Haim Covers “Hard Headed Woman” in Cat Stevens Tribute Show, Sam Fender Covers Lindisfarne for 2020’s Depressing Holiday Season, Lights Reinvigorates “Deck the Halls” on Inventive New Cover, Five Good Covers: “She’s Gone” (Hall & Oates), Full Albums: Elvis Costello’s ‘This Year’s Model’, Full Albums: Crosby, Stills, Nash & Young’s ‘Deja Vu’, Five Good Covers: “Mr. —Tyler Kane, Julien Baker and Elliott Smith are something like musical cousins separated by a couple of decades. While not unsympathetic to the character, Smith is still scornful of him, whereas Baker’s mournful voice and echoing electric guitar emit nothing but pity for the man; she seems to regret that “there’s no one to stop you.” Smith’s version is darker, while Baker’s is sadder. —Ellen Johnson, Before she released “Doin’ Time” on her 2019 album NFR!, Lana Del Rey’s setlist at a Dublin, Ireland, show included an alluring, smooth live cover of the Sublime song, complete with backup dancers and a backdrop depicting tropical palm trees. —Ellen Johnson, Death Cab For Cutie released a cover of Frightened Rabbit’s “My Backwards Walk” as part of their Spotify Singles collection in 2018. I Felt Your Shape (The Microphones cover) These artists refreshed and revived songs that didn’t even need improvement—yet, it’s like hearing these tunes for the very first time. A far cry from his Dinosaur Jr. guitar hero days, this cover further cemented Mascis as one of his generation’s preeminent folk acts as well. “You Da One” – Rihanna 79. Baby (Justin Bieber cover) The singer/songwriter, now an indie staple after the release of her album Atlanta Millionaires Club earlier this year, included “Dancing in the Dark” on her 2013 debut album Run and Tell. It wouldn’t be surprising if, to a certain segment of 2010s YouTubers, this was the definitive version of “I Want You Back.” —Jim Vorel, No one ever said Taylor Swift’s “All Too Well” was a bad song, but the Red cut has re-emerged this year with new fervor, thanks in part to a wave of nostalgia that swept over older Swift fans after she released the horrendous “ME!,” the bane of her new album Lover, and also in part to Swift’s recently released Tiny Desk concert, during which she played the song and officially proclaimed it “a sad song about fall,” which we’ve known all along. Perhaps that’s what makes his delivery of lines like “I’m as puzzled as a newborn child / I’m as riddled as the tide” so convincing. Franklin worked with André 3000, Kenneth “Babyface” Edmonds, and longtime collaborator Clive Davis to produce the 10-track record, which features covers of classics like Etta James’ “At Last,” Gloria Gaynor’s “I Will Survive” and The Supremes’ “You Keep Me Hangin’ On.” The first single from the record, and the most modern cover in the compilation, is the Queen of Soul’s take on Adele’s “Rolling In The Deep.” Franklin adds some auxiliary diva to Adele’s already diva-loaded hit, and brings her own blend of punch, spice, and Aretha. Can you guess the number one R&B song in 2010? The existential doubt in Tim Buckley’s telling of the Odyssey takes the helm in this banjo-led cover. A great band or artist forces us to hear the song in a new way. Runnin’ with the Devil (Van Halen cover) The choice of song most likely comes from the time the bands spent touring together in 2008, when Frightened Rabbit opened for Death Cab in support of The Midnight Organ Fight. The influence of bands like Modest Mouse or Built to Spill on the current batch of singer-songwriters of whom Bridgers is a part is readily apparent on songs like this, songs where the simple heartbreak of the country framework is reworked into something more scattered and complex. “Weird Al” Yankovic 30 Best Hip-Hop Albums Of The 2010s, Ranked Music Street Sweeper Social Club —Max Freedman, Lorde must have been a Donnie Darko fan. Perhaps not, but the folk supergroup’s Spotify Singles version of the already-stellar track from Vampire Weekend’s 2013 album, Modern Vampires of the City, is immaculate. It was a bright spot in an album full of them, so it should come as no shock that Simpson’s recast of a seminal teen-angst anthem in Nirvana’s “In Bloom” achieve such rigorous and satisfying transformation. As covers should, this rendition addresses old material with a new tactic: Smith gave us the man’s internal dialogue, and Baker adds a perspective to the story—that of a lamenting bard sharing his tragedy with the world. The defining tracks of the decade, starring Robyn, Drake, Vampire Weekend, Daft Punk, SZA, and many more. Here are the best cover songs of the 2010s. In that context, Rihanna’s cover of the Tame Impala song—changed to “Same Ol’ Mistakes”—makes perfect sense. As the opener of the band’s sprawling 2012 album Kill for Love, “Into the Black” introduces listeners to Chromatics’ newly hi-fi, nocturnal take on dream pop world while rendering the story of Johnny Rotten as potent as when Young first told it. When he hasn’t been sitting behind a drumkit with the Dead Weather, Jack White has been perched beside the production boards at his own Third Man Records. Thought by many to be the most insipid – and ubiquitous – pop song of the year, “Baby” invites tongue-in-cheek interpretations. In doing so, Sunflower Bean tipped its hand a bit in implying the evolution of their sound that would occur between 2016 debut Human Ceremony and 2018’s acclaimed follow-up Twentytwo in Blue, presaging the subtle move away from from indie rock psychedelia in the direction of a poppier sound informed heavily by 1970s classic rock, which continued on 2019 EP King of the Dudes. “I think that doing a more stripped-down version allowed me to make something that feels emotionally raw.” Cutting away much of the original’s characteristic 1980s clutter and drastically slowing down the delivery, the single does just that. Rachael Price’s vocals absolutely soar on this one, imbuing the slower-paced version of the song with dramatic peaks and valleys that bring it to a thrilling conclusion. The Judy Garland-esq melodrama sounds all the more believable. In July, she covered Manchester Orchestra’s “The Gold,” and she’s also covered both (Sandy) Alex G’s “Powerful Man” and McCarthy Trenching’s “Christmas Song” with Jackson Browne. The 200 Best Songs of the 2010s By Pitchfork. Polkaface (Misc. Sturgill Simpson: “In Bloom” (Nirvana), 7. Copious electronics do nothing to dilute the intimacy. See the full list and listen to each selection. “Blurred Lines” – Robin Thicke Anika Armed with nothing but a single microphone, their voices absolutely soar in transforming The Kinks. The EDM craze is upon us. “Ballad of Big Nothing” is the story of a man in self-imposed isolation who sinks deeper into heroin addiction. —Steven Edelstone, The Italo disco band Chromatics have long been as well known for their numerous covers as for their melancholic, noir originals. It represents song requests from over one hundred thousand events ranging from Weddings to Birthday parties and is dynamically created by Gigbuilder, the most popular web-based event management system in the world.. Popular artists from our decade include Maroon 5, LFMAO, Bruno Mars, and many more. Listen to “Powerful Man” via Amazon Music here and find Bridgers’ performance at the Paste Studio below. All Rights Reserved, 30. Chromatics: “Into the Black” (Neil Young), 13. The author wrote about several interesting points here. —Lizzie Manno, Few artists can add a layer of vulnerability to a cover song quite like J Mascis, who prompted Phoenix’s Thomas Mars to worry that the Dinosaur Jr. frontman was getting a better reaction for his “Entertainment” cover than Phoenix was. Where the original’s finale seems hopeful that maybe, just maybe, Hutchison’s ex will give him one more chance (“You should sit with me and we’ll start again / And you can tell me all about what you did today”), Baker’s version knows the answer and you can hear it in her voice, distant and longing. But what they do bring—aside from some pretty cringey dance moves—is a level of swagger that Drake’s sad boy image desperately needed at the time. Also included in the track: a sweet and subtle transition into “Ain’t No Mountain High Enough.” —Alexa Carrasco, Creative covers have long been a big part of Lake Street Dive’s identity as a band, from the days when they were simply performing at open mics and bars in the Boston area, to their current national prominence, which they still usually punctuate with costume party covers of their favorite bands every Halloween. The following list contains the top 100 requested songs of our current decade, the 2010s! Song to the Siren (Tim Buckley cover) Released in June 2010, “If I Die Young” is a poignant ballad about the tragic death of young people that was so impactful that it inspired fans to write the band with their own stories … —Ellen Johnson, Earlier last year, Frank Ocean dropped a cover of “Moon River,” as made famous by the 1961 film Breakfast At Tiffany’s. Her latest 7-inch was a throwback of sorts, with the A-side, “Henry,” coming from Allison’s 2016 release For Young Hearts and the B-side pulled directly from 1984: a beautifully reimagined version of Bruce Springsteen’s hit “I’m On Fire.” “I wanted to make a version of ‘I’m On Fire’ that connected with the sadness of the song,” Allison says. Definition: The term "cover version" originally referred to a rival version of a tune recorded to compete with the recently released version of a song.Eventually it went on to have a more general meaning including any performance or recording by someone other than the original artist or composer of a previously recorded, commercially released song. Julien Baker: “Ballad of Big Nothing” (Elliott Smith), 11. The year had already been highly successful for the mellow indie songstress with her early March release of Clean receiving critical acclaim, eventually landing a spot on Paste’s list of best albums of 2018. They sing chillingly bleak lyrics, many about drugs and self-loathing, to hushed guitar accompaniment. Lorde: “Everybody Wants To Rule The World” (Tears For Fears), 12. Covered 20 years after the song’s initial release, Mascis’ slow drawl and acoustic guitar chops morphs the ’90s classic into a gorgeous folk song, injecting it with an extra shot of weary emotion and a stunning guitar solo. Rihanna doesn’t change Tame Impala’s original at all, simply getting rid of Kevin Parker’s vocals in exchange for her own, but it almost works better as a Rihanna song. I’m With Her: “Hannah Hunt” (Vampire Weekend), 29. The End of the World (Skeeter Davis cover) Our staff list of the 100 most important songs of the decade, from "Baby" to "Old Town Road." Aretha Franklin: “Rolling In The Deep” (Adele), 20. Charles Bradley: “Changes” (Black Sabbath). “Up All Night” – Drake 73. That shocked me; Bradley’s version feels like an original, a touching ode to loss and regret that the Screaming Eagle of Soul made every bit his own. Maria McAteer’s gorgeous piano ballad carries no such chip on its shoulder. Rihanna: “Same Ol’ Mistakes” (Tame Impala), 6. Ocean offers a smooth R&B take on the track, which was originally done acoustically, but he preserves the minimal, intimate quality of the song’s instrumentation while experimenting with the layering of his rich, soulful vocals. Frank Ocean: “Moon River” (Henry Mancini). Liam Clancy may have died last year, but Erland and the Carnival carry the Irish folk torch high (despite being, technically, from London). The Israeli singer’s slight lisp makes the narrator sound all the more fragile on lines like “I call to you, I call to you, but I don’t call soft enough.”. The 200 Best Albums of the 2010s. Some of their most popular and frequently performed covers, including George Michael’s “Faith” or Hall & Oates’ “Rich Girl,” can be found on 2012 covers EP Fun Machine, but it’s the same recording’s take on The Jackson 5’s “I Want You Back” that catapulted Lake Street Dive to an entirely different platform of exposure. To celebrate the end of the 2010s, Entertainment Weekly is looking back at the best pop culture of the decade that changed movies, TV, music, and more.Today, we count down the best … Bradley first recorded the cover while his mother Inez was dying in 2013, further deepening the mournfulness of lines like, “It took some time to realize / I can still hear her last goodbyes / But now all my days have turned to tears / I wish I could go back, mama, and change these years.” “At first, I couldn’t sing [“Changes”],” Bradley once said. “Wrecking Ball” – Miley Cyrus 76. (adsbygoogle = window.adsbygoogle || []).push({}); 50. More than anything, though, the video is just one more spotlight for the harmonizing and vocal virtuosity of Jess Wolfe and Holly Laessig, the vocalists of Lucius. Title Artist(s) 1 "Tik Tok" Kesha: 2 "Need You Now" Lady Antebellum: 3 "Hey, Soul Sister" Train: 4 "California Gurls" Katy Perry featuring Snoop Dogg: 5 "OMG" Usher featuring will.i.am: 6 "Airplanes" B.o.B featuring Hayley Williams: 7 "Love the Way You Lie" Eminem featuring Rihanna: 8 "Bad Romance" Lady Gaga: 9 "Dynamite" I was recently informed that Charles Bradley’s “Changes” is, in fact, a... 2. Phoebe Bridgers: “Friday I’m in Love” (The Cure), 4. 47. It's worth the inclusion because Psalm One likens herself to an oasis in the wilderness. —Ross Bonaime, Only James Murphy could take a new wave rumination on the death of John F. Kennedy (“It took seconds of your time to take his life”) and transform it into an LCD dance hit. But Japanese Breakfast’s Michelle Zauner doesn’t mess around with the religiously beloved arrangement—she attempts to capture its silky bliss with her own characteristically dreamy vocals and calming presence. 48. Best Cover Songs Of 2010 : All Songs Considered The most successful cover songs honor a classic, bring out an odd pairing or allow listeners to rethink an established staple. 50. “My Backwards Walk” is off Frightened Rabbit’s beloved 2008 album The Midnight Organ Fight. “All About That Bass” – Meghan Trainor 75. Japanese Breakfast: “Dreams” (The Cranberries), 15. In the original version—dry, energetic, with wryly-delivered vocals—the chorus (“You can do what you want to, whenever you want to / You can do what you want to, there’s no one to stop you”) seems to reference the man’s self-destructive embrace of his independence. The standout track may have been made even better in Misty’s more-than-capable hands. —Steven Edelstone, Along with a joint show at the famed Sydney Opera House, Kevin Morby and Waxahatchee recorded a cover of Bob Dylan’s “It Ain’t Me Babe,” from his 1964 album Another Side of Bob Dylan, in 2018. After recording a seven-inch of Jason Molina covers together and Morby’s appearance in Waxahatchee’s “Chapel of Pines” video , the two could be the next mighty folk duo—maybe they’ll even follow Phoebe Bridgers and Conor Oberst’s lead in making a collaborative album full of touching folk-rock ruminations? 71. Death Cab for Cutie: “My Backwards Walk” (Frightened Rabbit), 17. J Mascis: “Fade Into You” (Mazzy Star), 14. If “Hannah Hunt” is the best Vampire Weekend song of them all (and I will argue that until the day I die), then surely I’m With Her’s marvelous take on the track is the best cover of a Vampire Weekend song ever rendered?! Fans longing for the old fiery guitarist need look no further than this cover though. Following Hutchison’s death, Gibbard paid tribute to him on Instagram, saying “I wish I would have told Scott how much his songs mean to me.” —Justin Kamp, Click here to listen to the track on Spotify, The artist formerly known as J. Tillman covered Arcade Fire’s “The Suburbs” for CBC Music in 2017. Shurely shome mishtake – you must mean Geoff ‘Not Jeff’ Barrow of Portishead, who moonlights as the lean, mean drumming machine in BEAK> and provided the soundtrack/score to Banksy’s tremendously cheeky Exit Through The Gift Shop film. If this is a joke, it’s one only she is in on. It’s a beautiful moment that was fortunately captured by the dozen or more filmers who contributed to the video. Mama Said Knock You Out (LL Cool J cover) It’s truly a folk lover’s dream. After 11 years of Orthodox Jewish schooling, Jesse Rifkin began to doubt his faith. From Drake, Future, and Kanye West to Kendrick Lamar, J. Cole, and Young Thug, here are the best hip-hop albums of the last decade. Misty’s skills are on full display in “The b.b. Phoebe Bridgers: “Powerful Man” ((Sandy) Alex G), 8. “Every time I do it, I want to cry.” It’s hard not to have the same reaction as a listener, especially in light of Bradley’s death, which lends yet another new layer of heart-rending sadness to the song. Off the same new EP, their version of LL Cool J’s “Mama Said Knock You Out” comes out blazing, charging like a buffalo armed to the teeth. Georg Bee of Portishead produced Anika’s self-titled debut, which explains the warped sensation you get that something’s not quite right. —Lizzie Manno, I was recently informed that Charles Bradley’s “Changes” is, in fact, a cover, and a Black Sabbath cover, no less. —Jim Vorel, Before they included this classic Kinks track on their 2018 compilation album NUDES, Lucius showed us their breathtaking performance of “Strangers,” which was shot by a large crowd of fans at Lagunitas Brewing Co. in Petaluma, Calif. in 2014 and then presumably reassembled by someone with the band or the brewery. Erland and the Carnival Find the top 100 R&B songs for the year of 2010 and listen to them all! That may seem like a bold move for an artist who was 16 at the time, but her wide-eyed worldview is exactly what makes hearing her sing this song so delightful. Consequence of Sound reveals its picks for the Top 25 Rock Songs of the 2010s. —China Reevers, With Regina Spektor’s soft whisper singing and the stellar piano arrangement of this OK Computer cut, it sounds as if the song was written just for her. ’ t be covered rediscovering herself, “ Baby ” invites tongue-in-cheek interpretations still respecting the recording. Her: “ Everybody Wants to Rule the World ” ( Frightened Rabbit ’ a. ’ album the Midnight Organ Fight also incorporating new elements that make it different – Kanye West 80 ”. Crawl, Lorde revealed the slow-churning bummer that existed under the synth-washed 80s... The inclusion because Psalm one likens herself to an oasis in the hallways of the Impala! See the full list and listen to each selection the rocks at any moment Arctic. Read our introduction here best cover songs of the 2010s in 2010 “ Ballad of Big Nothing is! Also quite a change for her Ballad off ( Sandy ) Alex G ’ s Grammy-winning 2010 album for! 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