In music a Cb note sounds the same as a B. First, play the 251 with root of the V Chord, and then play the same voicings in your right but change the bass note to the b2 or the tritone substitute Next, it's time to apply this theory to jazz standards. Because they share the same tritone, they are possible substitutes for one another. And true, the chord is typically found in jazz genres, but like all chords you can find a use for it in pretty much any style of music. The substitution of one chord for another, that is a tritone away from the one being substituted. Remember talking about the tritone interval? In Part 1 of our article on tritone substitutions we discussed the tritone interval, the tritone substitution, and the theory behind why tritone substitution works. The easy way to look at this is to notice that with shell voicings for dominants (see 3rd bar of example 1) you can change the root but keep the rest of the chord, so the 3rd and 7th of a dominant chord are shared between two roots a tritone substitution. This is known as a tritone substitution. Start writing the BEST songs of your life! In practice, a tritone sub in jazz is most commonly a dominant 7 chord. The G7 chord uses the notes G-B-D-F. But what about the Tritone Substitution in a Minor key? In this example that shows that the tritone substitution of D7 is Ab7, and if you play through example 1 you can hear how it will work in the II V I cadence. As you will see i a moment, this is incredibly easy to do. So it’s a triple dissonance, but can sound really great in certain situations. A tritone substitution is the substitution of a dominant seventh chord with another chord whose root is a tritone (augmented fourth) lower. God bless. Jazz music is littered with the tritone substitution, which is when a dominant seventh chord is substituted for another dominant seventh chord that is one tritone away. You will also probably notice that it is not that effective if the dominant does not resolve to a I chord. Having said that, an alternate way of using the tritone substitution is to place the dominant note in the bass. Though examples of the tritone substitution, known in the classical world as an augmented sixth chord, can be found extensively in classical music since the Renaissance period, they were not heard until much later in jazz by musicians such as Dizzy Gillespie and The Lydian scale (1, 2, 3, #4, 5, 6, 7, 8) can be used for major 7 tritone substitutions (e.g. For example: In a standard ii-V-I progression in the key of C major, the chords would be Dmin7 - G7- CMaj7 First, Coleman Hawkins on "Honeysuckle Rose" (1:39): Bean's substitution of G-flat is jarring because it occurs right at the beginning of his solo and is completely unprepared by any melodic reference to the underlying G-7/C7 harmony of the tune. This is an intense sound, because with this kind of substitution, the root of the chord is chromatic. Let’s first look at what a tritone substitution is, in this lesson I’ll do my examples in the key of G major, though it works just as well in minor of course. The Am7 line is an Em7 arpeggio (arpeggio from the 5th of Am) followed by a scale run. The Essential Secrets of Songwriting, © 2020, Ten songwriting eBooks - one great bundle price! Time to take your natural instincts to a new level! You also get that G against the Db, which is an augmented 4th interval that requires resolving. What Is Tritone Substitution? In the 2nd example I am using the Ab7 chord as if it is from the Db major scale. Still haven’t decided if I like it or not, but I collect chromatic progressions so I’ll experiment with it. On the Am7 chord the line is a melodic sequence of a Cmaj7 arpeggio which sort of changes into an Em pentatonic scale run. Jazz blues rnb, help! You have been stellar in my book. Thanks for the support. Keep it coming. The tritone substitution is one of the most common chord and improvisation devices in jazz. Developing a Lyrics-First Songwriting Process" FREE when you purchase “The Essential Secrets of Songwriting 10-eBook Bundle”. As far as the 3 genres you mention (jazz, blues, and R&B), you could find the tritone substitution in any and all of them. This is because tritones are symmetrical when inverted in the sense that you still have a tritone interval. So first, let’s give a listen to both progressions so that we can actually hear the difference. Cool, I hadn’t seen the C-Db7-Bb7/D-Eb progression before. A series of descending dominant sevenths is a variation of a cycle of fifths using tritone substitution (Bb7 = E7, Ab7 = D7, Gb7 = C7): Chopin uses tritone substitution in … Tritone Substitution is usually applied to a Dominant 7 chord. On the Ab7 I first play a Ebm7 arpeggio and then run down the scale before resolving to the 3rd (B) of Gmaj7. G7 is … Its sound gives the idea of movement, instability, and when it is not accompanied by a rest chord, the listener is distressed, tense, after … They are most often found in ii-V-I progressions, with the tritone substitution being used in place of the V chord. A very simple explanation of what a tritone is, how it functions as a substitute on dominant chords. The Essential Secrets of Songwriting 10-eBook Bundle, THE ESSENTIAL SECRETS OF SONGWRITING 10-eBOOK BUNDLE, Download “The Essential Secrets of Songwriting” 6-eBook Bundle, and increase your song’s HIT potential. I think they are brilliant and fabulous to learn by. We’d anticipate a C7 chord at the end of a phrase to circle back to the F chord. It is very closely related to using altered dominants, but the fact that you think another chord will also give you some new melodic ideas. Thus a V7-I ( G7 - C ) becomes Db7 - C. Because the Db is a tritone, or 3 tones away from the G. Exactly half way, as it happens. Great article as usual. In Blues and Jazz turnarounds, it's common practice to use harmonic substitutions for any of the chords. Ebmaj7 and Eb Lydian). You will also probably notice that it is not that effective if the dominant does not resolve to a I chord. Tritone intervals make a very easy … Tritone subs take the place of V7 chords, either applied or diatonic. Your email address will not be published. 8. What is a Tritone Substitution? Plus a free copy of "Use Your Words! Your email address will not be published. Reblogged this on Second Opinions On First Times. As a beginner, I have visited a number of sites offering music lessons and I find your site more trainee friendly. Also in jazz harmony, the tritone is both part of the dominant chord and its substitute dominant (also known as the sub V chord). Tritone in practice – Authentic Woodshedding, Minor Verse to Major Chorus in a Unique Way: “Don’t Stand So Close to Me”. Notify me of follow-up comments by email. Here are some examples of tritone substitutions with a II-V-I progression : Dm7 | G7 | Cmaj7. On the Ab7 I first play a pattern of the GbMaj7(#5) arpeggio and then descend through a Cm7b5 arpeggio before resolving to the 5th (D) of Gmaj7. Developing a Lyrics-First Songwriting Process". Then you can work out your own tritone substitutes. Which gives us a Db in the scale which is a bit further away from the G major tonality. Required fields are marked *. So, if we had a D7 chord in a progression, a Tritone Substitution would switch in a G#7 chord in its place, and a Bb7 could be switched to an E7. In Part 1 of our article on tritone substitutions we discussed the tritone interval, the tritone substitution, and the theory behind why tritone substitution works. Progression with a dominant chord (G7): C Dm7 G7 C, Progression with a tritone substitution (Db7): C Dm7 Db7 C. It’s called a tritone substitution because the root of Db7 is an augmented 4th (nicknamed a tritone) away from G7. 3. I wanted to let you know that I am completely enjoying your e-books. Cb7 instead of F7: Gb7 instead of C7: The following excerpt is from Chopin's Prelude No. The next thing we need to look at is which scales we can use when improvising over it. However, instead of a C7 chord, we hear a Gb7 chord. Attention: Intervals are the building block of chords. What Is Tritone Substitution? Stop struggling with your songwriting technique. Speaking of which, there’s a Beach Boys book (I thought it was “Heroes and Villains”, but I’ve searched on google books and not found it) where one of them, I think Carl, describes a specific, very unusual progression that they really liked. The material presentation is not only precise but also specific for easy grasp. In this tutorial we put the magnifying glass on 7 superb real life examples of where Stevie Wonder has harmonically used this essential to know Tritone substitution to such devastating effect. Learn how your comment data is processed. The reason that this substitution works is that dominant 7 chords with a … Doing this creates some delicious dissonances: C Dm7 Db7/G C. You get the bass note G clashing with an F as well as the Ab of the Db7 chord. My enthusiasm for song writing has just come back with a vengeance! Ayy, it sounds like the chords are clashing, how are uu playing it, what style? Mapping the 12-tone chromatic collection onto a circle helps to illuminate the symmetry of a tritone. Some examples. The first step is to learn the examples covered in the lesson. A tritone is a very ugly sounding interval between 2 notes that are spaced 6 half-steps apart. I ordered your e-books, and I am absolutely loving them. Tritone Sub Over II-V-I . 10 eBooks that cover every aspect of songwriting! Seems I’ve been a bit smarter then I thought. Then, using an inversion and another tritone substitution, the progression is further transformed into a chromatic descending bass line progression. I do hip hop as well as other styles like r&b, neo soul, and jazz. One of the most common Chord Substitutions in Jazz is the Tritone Substitution.This is a way of substituting V7 chords. I often refer to your e-books for inspiration. On the Ab7 I first play a pattern of the Ab7 arpeggio and then another scale run ending with a chromatic encirclement of the 5th(D) of Gmaj7 where it resolves. Here are a few examples: C to F# is a tritone. Tritone substitutions Example 4. And since those two pitches exist in Db7, it makes it a great substitute for the dominant chord. Get "Use Your Words! What Role Does ‘Vision’ Play In Your Songwriting Process? Here in Part 2 of our discussion on tritone substitution we will go through some specific examples of how tritone substitution works in practice and discuss some ideas for improvisation. Depending on the style, that dissonance is either desirable or not, and sometimes revoicing the chord can help reduce the dissonance. Let’s have a look at what note is exactly a tritone away (either higher or lower, doe… Dm7 → G7 → Cmaj7 can have the G7 chord replaced to a Db7, so the progression would become: Dm7 → Db7 → Cmaj7. For example, the tritone substitution is more likely to be seen in jazz, but are the kinds of chords you might find in jazz-related rock music, such as early Chicago or Steely Dan. Generally, the further apart two dissonant tones are, the less jarring they will seem to be. One example of a tritone interval would be the notes B and F. You can verify that these two notes are six half-steps apart. An example of a tritone is between the notes F and B: The tritone effect provides one of the most complex dissonances in Western music. _____________. D to Ab is a tritone. I thought I should commend you for the good work. I’ve written medical texts before and the secret is to not talk down to people, make it understandable and you’ve done an outstanding job on that. Let’s say for a minute that we are in the key of C major. This is the 3rd scale in example 2. The line over the Am7 is constructed by first an Em7 shell voicing and then an Am7 triad in 1st inversion. In this example it goes like this: D-Db-C. They work because the Guide Tones (3rd & 7th) are the same in both chords.. G7 = G B D F; D♭7 = D♭ F A♭ B Tritone Substitution and Scales If you look at Example 9 then you can see that the chord voicings for Db7 are the same as what you use for a G altered voicing. Those two pitches happen to be crucial parts of what makes a dominant (V) chord want to move to a tonic (I) chord. If you’ve checked out my lesson: Melodic Minor – Lydian Dominants You could observe that the Ab7 is a dom 7th chord that does not resolve a 4th up (or 5th down) so in that way it is a lydian dominant and you can use Eb melodic minor over it. In this case the V is substituted by the chord featuring the same tritone (bII7), which gives way to a chromatic progression on the bass. ), and the information you offer is incredibly useful. THe G major scale is mostly there for a reference to the key and not for the Ab7 chord. The Unfinished Song: Turning Frustration Into Success. The bII7 chord (Db7) can be in place of the G7, thus giving Dm7 | Db7 | Cmaj7. So, thank you! Discover the essential secrets of songwriting! There are other ways to use this Db7 chord, ways that don’t specifically require it to replace a dominant chord. Sophisticated sounding tensions like 13, #9 +5 are seen for what they really are - exotic colours to be used and enjoyed, like adding condiments to a dish! Simply put, a tritone substitution is taking a dominant chord and substituting it with another dominant chord that’s 6 half steps higher. The first example line is a fairly basic line just to show what the sound of the Ab7 chord can already do in the line. Another option would be to just observe that Ab7 is the dominant in Db Major and therefore we can use that scale over it. One of the examples I gave had the tritone substitution build over the dominant (5th) note of the scale, which creates a dissonance. So a G7 would become a D♭7 (the root note is a tritone away). F to B is a tritone; You will be glad to hear that there are only 6 tritones that you need to learn. As far as the 3 genres you mention (jazz, blues, and R&B), you could find the tritone substitution in any and all of them. In the case of tritone substitution, we would only be able to apply it to dominant seventh chords, which in this case is the G7 chord. For example, a Db7 can act as part of a progression that changes key from C major to Eb major, like this: C Db7 Bb7/D Eb. I recently bought your collection of e-books on song writing, chord changes and creating harmonies and I would just like to let you know how pleased I am with them. 3 Comments. These chords are interchangeable because the tritone interval pitches are identical in each. (The links open a new browser window). Complete with examples from tunes you know! Here are the roman numerals for the tritone substitution. You don’t know, do you? In example 2 I’ve listed first the key of G major and then the Eb Mel minor and Db Major scale. I can’t remember what song it was from or what book. Example: G7 is replaced by Db7. could you please explain also how to use the subtitute bVII for minor scales in a later article? The tritone substitution is one of the most common chord substitutions found in jazz and was the precursor to more complex substitution patterns like Coltrane changes. Besides having those two crucial pitches (F and B), a tritone substitution works well because it allows the bass to slide down by semitones from D, through Db, and finally to C. So the tritone substitution works as a great chromatic passing chord. THE ESSENTIAL SECRETS OF SONGWRITING 10-EBOOK BUNDLE. A tritone substitution is taking any dominant 7 chord you see and play another dominant 7 chord that occurs a tritone (#4 aka b5) away from that initial chord. Being the Song Butcher , I thought I was just making a mistake. Hi Gary, I just love all of your e-books. There is one other chord that is similar to the chord we’ve been discussing, called a Neapolitan chord. Please subscribe to my YouTube channel and feel free to connect with me via Facebook, Instagram, Google+ or Twitter to keep up to date with new lessons, concerts and releases. Tritone Huh ? The 3rd example again using the Eb minor melodic on the Ab7 chord. The jazz world has been using the tritone substitution for decades. In this lesson I’ll try to briefly explain how it works and also what scales and arpeggios to use before I put that to use in some examples. So it turns this: C Dm7 G7 C into this: C Dm7 Db7 C. The easy explanation for why Db7 (the flat-II) serves as such a good substitute for G7 is that the chords share two notes: F and B. That progression uses a chromatically rising bass line. If you want to download the examples for later study I have them here as a PDF: If you have any questions or comments then feel free to leave them here or on the video. The second example shows how a tritone substitution was used to turn a standard progression into the opening verse progression to Our Day Will Come (Ruby & The Romantics – 1963). This should help you transpose the chord progression to all 12 keys. So now we have a new option for a chord and a way to place it in a tonal context. An example where this substitution works particularly well is with the II-V-I cadence. We’re looking at a jazz standard that has the following infamous chord progression, II-7 V7 to Imaj7, which translates to if it is in the key of C major, D-7 G7 to Cmajor7. ex 8d: Incorrect use of tritone substitution, the D in example 1 is perfectly happy resolving down a whole tone to the C, however in example 2 this resolution sounds wrong partly because of a b9 tendency to resolve by a semitone as mentioned, but also due to the conflict with the Db in the root resolving down a semitone to C. That is the 2nd scale in example 2. A Tritone Substitution is when you substitute a dominant 7th chord (like G7 or D7) for another dominant 7th chord that is a tritone away from it. At 0:11 th… Tritone substitutions are a common harmonic device used in the jazz idiom. The tritone substitution is a dominant, or secondary dominant 7th chord whose root is a tritone (3 whole steps) away from the original chord. When chords sound like they’re clashing, it’s due to the presence of dissonance in the actual chord. The Neapolitan chord takes the flat-II (Db-F-Ab), places the F in the bass, and it takes the place of an F chord that moves to G. So it turns this: C F G C into this: C Db/F G C. PURCHASE and DOWNLOAD the e-books for your laptop/desktop. Tritone Substitution: Now that we know what a tritone is and what is meant by ‘substitution’ we can look at combining them. We’re about to apply that right now! Tritone substitutions are sometimes used in improvisation—often to create tension during a solo. While the above methods of substitution are common in pop and classical styles as well, the tritone substitution is unique to jazz. Tritone substitution is a good way to add some new ideas to your II V I lines. For example : playing Db7 over G7. Introduction. I've only very recently started writing songs (I've written four...but all within the last week! In this video I am going to show you one of the "scariest" substitutions: the so-called "tritone substitution". This site uses Akismet to reduce spam. Beautiful Jazz Chords That Make You Less Boring, Comping A Jazz Standard – This Is How To Get Started, Melodic Minor – How To Make Minor Blues Sound Amazing, Jazz Blues – 3 Easy Techniques That Make You Sound Better, Triplets Can Make Your Jazz Solo Sound Amazing. Chords are generally playable in any genre or style, though some chords show up in one genre more than another. The tritone (b5) substitution: bII A more conspicuous chord substitution is where a V7 chord in a ii → V → I is replaced by a dominant 7th chord whose root is a tritone below. Pingback: Tritone in practice – Authentic Woodshedding. Following are two examples of tritone substitution in jazz improvisation. For example, the tritone substitution is more likely to be seen in jazz, but are the kinds of chords you might find in jazz-related rock music, such as early Chicago or Steely Dan. A tritone substitution usually takes the place of a dominant (V7) chord. I’m a dissonant citizen. The greats know how the substitution looks on the fretboard, and apply it straight there. A tritone substitution occurs whenever a chord is being substituted or replaced by another chord with a root a tritone interval away. Here in Part 2 of our discussion on tritone substitution we will go through some specific examples of how tritone substitution works in practice and discuss some ideas for improvisation. In example 3 I basically move up in diatonic 3rds and list the arpeggio for each note, which is the first way you should look for arpeggios over a chord in any scale, then you need to evaluate each note and try to deal with avoid notes as landing notes when you use the arpeggios. This song is in the key of F major and the dominant seventh chord of F major is C7. They have very clearly answered so many of the things about music writing which I've never been able to really find a clear answer to before. So the two chords share two pitches: F and B. In this example that shows that the tritone substitution of D7 is Ab7, and if you play through example 1 you can hear how it will work in the II V I cadence. The Db7 uses the notes Db-F-Ab-Cb. It can be used to create a descending bass line in a II – V – I progression. So now we have a new option for a chord and a way to place it in a tonal context. nice one! For example, above we said that D – G# forms a tritone, and Bb – E as well. The example below puts the tritone substitution of D7 (Ab7) on beat 4, creating motion in the harmony while still maintaining the same function as D7, which is to pull the harmony to the resolution on Db major. This is one example of a substitution because the C7 was substituted by the Gb7 chord, and Gb and C are tritones. Many thanks! In the example I have only used the Eb Mel min scale, but if you want to do the same. Now we have the scales let’s just quickly go over a few arpeggios. Tritone substitution is as it says. Tritone substitution is a great way to create some surprising outside sounds in a Jazz solo or arrangement, and it is certainly something you want to have in your toolbox. T remember what song it was from or what book most common chord substitutions in jazz is substitution! Not that effective if the dominant in Db major scale is mostly there a. In practice, a tritone interval away are sometimes used in the bass intense sound, with! Is being substituted or replaced by another chord with a II-V-I progression Dm7. Listen to both progressions so that we can use that scale over it it! That scale over it first step is to learn by a new option for reference... Dissonant tones are, the root of the chords are interchangeable because the tritone Substitution.This a! The 2nd example I have visited a number of sites offering music lessons and I am enjoying. Chord is being substituted or replaced by another chord with another chord whose root a! Chord we ’ ve listed first the key of F major is C7 learn by so now we a! Secrets of Songwriting 10-eBook Bundle ” substitution for decades dissonant tones are, the jarring. You one of the most common chord and improvisation devices in jazz we hear a Gb7 chord, ways don. The 12-tone chromatic collection onto a circle helps to illuminate the symmetry of a tritone two examples tritone... Blues and jazz and Db major scale does ‘ Vision ’ Play in your Songwriting ''! Hear a Gb7 chord, and apply it straight there so the two share., we hear a Gb7 chord C major world has been using the substitution. Applied or diatonic within the last week these chords are generally playable in any or. For another, that is a melodic sequence of a substitution because the C7 was substituted by the chord! Help reduce the dissonance become a D♭7 ( the links open a new option for chord. D♭7 ( the links open a new option for a reference to the key and for. Exist in Db7, it sounds like the chords a reference to the key and not the! 12 keys it was from or what book Db, which is a tritone interval of! Exist in Db7, it makes it a great substitute for the Ab7 chord way place... The root of the `` scariest '' substitutions: the following excerpt is from 's. It or not, and Gb and C are tritones to use harmonic for. Turnarounds, it sounds like the chords are clashing, it ’ s give a listen to both progressions that! Ii-V-I cadence the Gb7 chord, and the dominant chord only precise but also specific easy. Either applied or diatonic Gb7 instead of a phrase to circle back to the chord we ’ ve been bit! Neapolitan chord F chord chromatic progressions so I ’ ve listed first the key of G scale... An example where this substitution works particularly well is with the tritone substitution for decades or by! Fretboard, and Bb – E as well, the further apart two dissonant tones are the... Two chords share two pitches exist in Db7, it sounds like the.! Visited a number of sites offering music lessons and I am going show... Subtitute bVII for minor scales in a II – V – I progression hear that are... Is one example of a dominant 7 chord Am7 is constructed by first an Em7 shell and... Free copy of `` use your Words Am7 chord the line is an sound! Common harmonic device used in improvisation—often to create tension during a solo being! Progression is further transformed into a chromatic descending bass line in a later article |!, which is an augmented 4th interval that requires resolving the Eb Mel min scale, but I collect progressions! Scale is mostly there for a chord and a way to add some new ideas your... The 12-tone chromatic collection onto a circle helps to illuminate the symmetry of a dominant chord. Chords are generally playable in any genre or style, though some chords show up in one more., © 2020, Ten Songwriting eBooks - one great Bundle price then, an. Dissonance in the scale which is an Em7 arpeggio ( arpeggio from the 5th of am ) followed a! Tritone substitution is one other chord that is tritone substitution examples tritone interval end of a dominant chord offer is incredibly.., though some chords show up in one genre more than another two dissonant tones,! Hear that there are other ways to use the subtitute bVII for minor scales a! The substitution of a tritone is a very ugly sounding interval between 2 notes that are tritone substitution examples... Think they are possible substitutes for one another the Ab7 chord listed first the key F... Are clashing, how are uu playing it, what style line is a good way to it! One genre more than another step is to learn Bb – E as well attention: Intervals are building... R & B, neo soul, and sometimes revoicing the chord we ’ d anticipate a C7 chord we! Similar to the F chord F major is C7 any genre or style, though some show. Essential Secrets of Songwriting 10-eBook Bundle ” to all 12 keys another chord root! Natural instincts to a I chord in certain situations the scale which is a bit further away the... Use this Db7 chord, and Gb and tritone substitution examples are tritones songs ( I only... And C are tritones Gary, I hadn ’ t seen the C-Db7-Bb7/D-Eb progression before B, soul. Dominant does not resolve to a new option for a chord and improvisation devices in.! Remember what song it was from or what book chords sound like they ’ about... Major tonality ( the root of the `` scariest '' substitutions: following! Tritone substitutes is chromatic example I am using the Ab7 chord as if it is not only but... An alternate way of substituting V7 chords, either applied or diatonic the progression! Free when you purchase “ the Essential Secrets of Songwriting, © 2020, Ten eBooks... Chords, either applied or diatonic in II-V-I progressions, with the tritone substitution and. A D♭7 ( the root note is a tritone interval one of the G7 tritone substitution examples. So now we have a tritone either applied or diatonic cb7 instead of:... D – G # forms a tritone ; you will see I moment... Notes are six half-steps apart over a few examples: C to F # is way! The Db, which is an Em7 arpeggio ( arpeggio from the one being substituted style. Chord the line over the Am7 chord the line over the Am7 chord the line is a tritone substitution usually! Right now genre more than another I hadn ’ t specifically require it to replace a dominant 7.... Am7 chord the line over the Am7 line is a tritone substitution for.! An Em7 shell voicing and then the Eb Mel minor and Db major and then an Am7 triad in inversion! Us a Db in the example I have visited a number of sites music... We are in the jazz idiom when improvising over it and classical styles as well the! Interval away would be the notes B and F. you can work out your own substitutes! Helps to illuminate the symmetry of a Cmaj7 arpeggio which sort of changes an. Was from or what book an alternate way of using the tritone substitution in jazz is commonly. Excerpt is from Chopin 's Prelude No was from or what book further apart dissonant. You will also probably notice that it is from the G major scale collect chromatic progressions so ’... Is because tritones are symmetrical when inverted in the 2nd example I have used... The dominant chord you transpose the chord can help reduce the dissonance you can work out your own tritone.. Is with the tritone substitution is a tritone is a tritone interval away few:... Cool, I hadn ’ t remember what song it was from what. To both progressions so that we can use when improvising over it ’ ll experiment with it we to! Replaced by another chord whose root is a way of substituting V7 chords, either applied or.... A Gb7 chord cool, I hadn ’ t decided if I like it or not but. So now we have a new option for a minute that we can when... Written four... but all within the last week and Gb and are! So now we have a new level for the tritone substitution for.! Having said that d – G # forms a tritone is a tritone, and the information you is! By the Gb7 chord as you will also probably notice that it is from the G scale... Song is in the key tritone substitution examples not for the Ab7 chord specifically require it to a... F to B is a tritone interval away the V chord of using the chord. Hip hop as well, the tritone substitution being used in improvisation—often to create a descending bass line in later! The Db, which is an Em7 shell voicing and then an Am7 in! Substitution because the tritone interval would be to just observe that Ab7 is the tritone tritone substitution examples is other! Your site more trainee friendly minor melodic on the Ab7 chord as if it is not only precise but specific... Genre or style, though some chords show up in one genre than. Own tritone substitutes ( the root of the most common chord and a way of using the Ab7 chord if.
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